AIRA Index 21-30

IRAC 1994, AIRA Volume 21, Flagstaff, Arizona Hamann, Diane, Series Editor, Frank and A. J. Bock, Georgia Lee, John Clegg, and Edwin Krupp Section Editors Published 2006, ISBN 0-9767121-3-X, pages 654 in PDF format. (CD In Stock)

Bahn, Paul G., "Rock Art: World Heritage" pages 3-9

Bru, Margarita, "The Cave of Los Casares (Guadalajara) " pages 11-16

Ghinea, Virgile, "Prehistoric Art Interpretation, the Holographic Method" pages 17-22

Harrod, James B., "Highlights of the Decipherment of Upper Paleolithic (European): A Protolanguage of the Human Spirit" pages 23-31

Jorge, VÌtor Oliveira and Susana Oliveira Jorge, "Rock Art in Portugal : From the Palaeolithic to the Iron Age" pages 33-48

Contreras Barragán, Blanca Eréndira and César Armando Quijada López, "The Petroglyphs of "El Pedregoso" In Sonora, Mexico" pages 51-60

de la Luz Gutiérrez, María and Justin Hyland, "Report on the Proyecto Arte Rupestre Sierra de San Francisco, Baja California Sur, Mexico" pages 61-68

Lewenstein, Suzanne, "Rock Art of the Sierra Tarahumara, Chihuahua, Mexico: a Question of Cultural Affiliation" pages 69-78

Quijada López, César Armando and Eréndira Contreras Barragán, "Rock Art in Sonora / El Arte Rupestre en Sonora" pages 79-102

Quijada López, César Armando, "The Rupestres Paintings in Tonatico, State of Mexico. " pages 103-114

Lee, Georgia, "Hawaiian Petroglyphs: Recent Research" pages 117-130

Millerstrom, Sidsel and Tricia Allen, "Carved Rocks and Punctured Skins: An Analysis of Corresponding Tattoo and Carved Rock Images and Their Social Implications in the Ancestral Marquesas Islands and French Polynesia" pages 131-138

Stasack, Edward, Ronald Dorn, and Georgia Lee, The Petroglyphs of Kaho’olawe Island, Hawai’i" pages 139-146

González Arratia, Leticia, "The Making of Petroglyphs, as a Historical Conception of Time" pages 149-154

Greer, John and Mavis Greer, "Human Figures in the Cave Paintings of Southern Venezuela" pages 155-166

Hernández Llosas, María Isabel, "Rock Art in Argentina: Method and Advances in Regional Archaeological Research" pages 167-182

Hernández Llosas, María Isabel, "A Unique Discovery at the End of the Continent: "Perspective", A Technique Used To Design A Complex Rock Art Motif" pages 183-184

Coy Fred E., Jr., "Kentucky Petroglyphs, Two Cases of Mistaken Identity" pages 187-196

Faulkner, Charles H., "Rock Art in the Underworld: Petroglyphs, Pictographs, and Mud Glyphs in Southeastern United States Caves" pages 197-204

Heyd, Thomas, "Contemporary Significance of Northern Plains "Medicine Wheels" pages 205-214

Pye, Carolyn, "Sun Paints at La Cueva Pintada" pages 215-220

Tratebas, Alice M., "Paleo-Indian and Archaic Petroglyphs on the Northern Plains" pages 221-236

Waller, Steven J., "Acoustical Characteristics of North American Rock Art Sites" pages 237-240

Whitley, David S., "Ethnohistory and Rock Art in South-Central California" pages 241-258

Burton, Jeffery F., "Late Pueblo Iconography in Petrified Forest Rock Art: Implications for the Origin and Development of the Kachina Cult" pages 261-272

Davenport, Marietta, "Rock Art Sites as Components of the Recreational and Spiritual Landscape in Sedona Arizona" pages 273-276

Farrell, Mary Margaret and Jeffery Franz Burton, "Rock Art of the Southeastern Arizona Sky Islands: Eighty Sites on the Coronado National Forest" pages 277-288

Maddock, Caroline S., "The Sedona Pictograph Tradition" pages 289-300

Schoonover, Grace and Jane Kolber, "Chavez Pass A Prehistoric Trading Center and Rock Art Concentration in Central Arizona" pages 301-310

Serface, Roberta K., "Study of Rock Art in Arizona" pages 311-318

Benson, Arlene, Floyd Buckskin and Ruby George, "Tracing the Sun's Shadow" pages 321-338

Chamberlain, Von Del, "Star Tracks: Astronomical Motifs in American Southwest Rock Art" pages 339-346

Diethelm, Inge and Heinz Diethelm "The Rock Carvings of Alp Carschenna, Switzerland" pages 347-352

Krupp, E.C., "Archaeoastronomy Unplugged: Eliminating the Fuzz Tone from Rock Art Astronomy" pages 353-370

Murray, William Breen, "Sky Symbolism in Huichol/Cora Religious Traditions as A Guide to Understanding Northeast Mexican Rock Art" pages 371-380

Rafter, John Michael, "Ethnography: An Alternate Pathway to the Stars" pages 381-386

Sofaer, Anna, "Pueblo Bonito Petroglyph on Fajada Butte: Solar Aspects" pages 387-392

Scott, David A., "Scientific Study of Chumash Indian Rock Art Pigments and Surface Deposits" pages 395-410

Züchner, Christian, "Some Remarks on the Petroglyphs of Northwestern Spain" pages 413-418

Clegg, John, "Gavin Souter's Boats" pages 423-432

Jobling, W. J., "Recording Rock Art in Jordan" pages 433-438

Davis, Nola Montgomery, "Photocopying Paintings of Rock Art for Curation" pages 439-444

Davis, Nola Montgomery, "Measuring Rock Art with the Aid of Lasers" pages 445-448

Stickney, Teddy, Ethical Standards" pages 449-452

LaForge, Aline, "Trailside Scratched Petroglyphs Along the Lower Colorado River" pages 455-462

Ritter, Eric W., "Archaeological Context and Explanation for Nevada's Massacre Bench Scratched Rock Art" pages 463-484

Vierra, Robert K., Alvin R. McLane and James D'Angelo, "The Easter Rock Art Site Scratched Petroglyphs in Lander

County, Nevada" pages 485-498

Cochran, Kjersti Ann, "Lung/ Palulukang Chinese "Dragon" / Hopi "Water Serpent" pages 501-504

Mandt, Gro, "Material Culture and Myth: Snake Symbolism in Nordic Prehistory" pages 505-512

Ritter, Dale W., "The Adored Abhorred Splendored Serpent" pages 513-538

Hedges, Ken, "Images of the Spirit World Vision Imagery and Spirit Beings in North American Rock Art" pages 541-558

Hyder, William D. and Georgia Lee, "The Shamanic Tradition in Chumash Rock Art" pages 559-586

Smits, Luc, "Trance-related Themes in the Rock Art of Lesotho" pages 567-570

Strange, William C., "Too Many Shamans; Reaching for Context at Rochester Creek" pages 571-580

Valadez Moreno, Moisés, "Ceremonialism and Shamanistic Representations in Nuevo Leon, Mexico" pages 581-586

Warner, Jesse Earl, "Shamanism and the World of Light and Shadow" pages 587-602

Koskenmaki, Joyce, "Moral and Ethical Dilemmas in the Appropriation of Rock Art Images: An Artist's Journey" pages 605-608

Seglie, Dario, "Rock Art: Cultural and Noncultural Aspects" pages 609-614

Warner, Jesse E., "Sacred Space and Sacred Place, Both A Part of the Sacred Landscape of Power" pages 615-632

Warner, Judith S. and Jesse Warner, "Faces in the Shadows Can Talk to You" pages 633-648

AIRA Volume 22: Albuquerque, Freers, Steven M., ed., 1998, 184 pgs. (In stock)

Bostwick, Todd W., “Managing Rock Art in an Urban Setting: The Challenges of South Mountain Park”, 119-128.

Bullen, Margaret U., “Shamanic Portals: Do They Ocur in Australian Rock Art?”, 103-110.

Dean, J. Claire, “Grappling with Graffiti at Petroglyph National Monument” 111-117.

Freers, Steven M., “Lending a “Hand” to the San Luis Rey Style” in, 57-78.

Greer, John and Greer, Mavis, “1995 Rock Art Fieldwork in Southrn Venezuela”, 79-94.

Greer, Mavis and Greer, John, “An Evaluation of Abstract Figures in Central Montana Rock Art”, 29-36.

Hedges, Ken and Hamann, Diane, “Recording the Rock Art at Indian Hill, Anza-Borrego Desert State Park”, 37-56.

Kirsch, Russell A., “Using Computers to Describe Style”, 153-160.

Maddock, Caroline S., “The Face of Solstice”, 179-184.

Malotki, Ekkehart, “The Owl: A Shamanistic Motif in the Archaic Rock Art Iconography of the Palavayu Anthropomorphic Style, Northeastern Arizona”, 1-18.

Monteleone, Sue Ann, “Great Basin Rock Art: Numic Tradition or Multicultural Diversity”, 19-28.

Moore, Elanie, “A Rock Art Drawing Survey”, 129-152.

Sayther, Terry, Stuart, Deborah and Cobb, Allan, “Pictographic Rock Art in Actun Kaua, Yucatan, Mexico”, 95-102.

Sutherland, Kay, “Mesoamerican Ceremony Among the Prehistoric Jornada Mogollon”, 161-178.

AIRA Volume 23: El Paso, Freers, Steven M., ed., 1997, 210 pgs. (In stock)

Bilbo, Barbara, “The Slaughter Canyon (New) Cave Pictograph Site, Carlsbad Caverns National Park, New Mexico”, 49-56.

Bilbo, Michael, “Carlsbad Caverns Natural Entrance Pictogrpah Sites 1 and 2, Carlsbad Caverns National Park, New Mexico”, 41-47.

Blanchard, Dawn L., “Shamans and Master Artists: Understanding the Parallels in Rock Art”, 183-188.

Bury, Rick, “House of the Sun: The Seasons. A Photo Essay with Six Images”, 161-168.

Douglass, Amy A., “From Rock Outcrop to Museum Exhibit: Teaching the Public About Rock Art”, 189-193.

Ewing, Eve, “Preliminary Report on Crack Feature Incorporation from the Franco-Cantabrian Regions of France and Spain”, 147-160.

Green, John W., “The Four Seasons Rock Art Shelter: A Solar Seasonal-Indicator Site in a Texas Big Bend Region Pictograph Shelter”, 203-210.

Greer, John and Greer, Mavis, “Dark Zone Rock Art in Surratt Cave, in a Deep Cavern in Central New Mexico”, 25-40.

Greer, Mavis and Greer, John, “Bear Imagery in Central Montana Rock Art”, 85-94.

Hawkins, Bill, Arie, Jane C., Loendorf, Larry L. and Karpinski, Leo, “Lessons Learned: Recording Sites and Assigning Ages to Rock Art Panels”, 103-110.

Hedges, Ken and Hamann, Diane, “Three Pueblo Rock Art Sites on the Nellis Air Force Range”, 111-120.

Hyman, Marian and Rowe, Marvin W., “Plasma-Chemical Extraction and AMS Radiocarbon Dating of Rock Paintings”, 1-9.

Kirsch, Russell A., “Photogrammetric Reconstruction of Petroglyphs”, 177-182.

Malotki, Ekkehart, “The Dragonfly: A Shamanistic Motif in the Archaic Rock Art of the Palavayu Region in Northeastern Arizona”, 57-72.

McNew, Judie and Loendorf, Larry L., “Pups, Suckers and Cats: Fish on the Rocks in Dona Ana County, New Mexico”, 95-101.

Moore, Elanie A., “Rock Art Drawing Survey: Implications”, 169-176.

Quijada, Cesar A., Kolber, Jane and Contreras, Erendira, “The Rock Paintings of El Leoncito, Sonora, Mexico”, 137-145.

Scott, Eric, “Mogollon Rock Art at Bigelow Crossing: An Inter-Regional Comparison”, 121-126.

Steinbring, Jack and Buchner, Anthony P., “Cathedrals of Prehistory: Rock Art Sites of the Northern Plains”, 73-84.

Stephenson, Christine M., “Shamanism and the Rock Art of Bigelow Crossing”, 127-136.

Stickney, Teddy, “Lower Pecos River Style: Rock Art Recording Manual”, 195-202.

Welsh, Peter H. and Dorn, Ronald I., “Critical Analysis of Petroglyph Radiocarbon Ages from Coa, Portugal and Deer Valley, Arizona”, 11-24.

AIRA Volume 24: La Junta, Bock, Frank G., ed., 2000, 172 pgs. (In stock).

American Rock Art Research Association, “American Indian Rock Art. Guidelines for Authors”, 129-132.

Bock, Frank G., “American Indian Rock Art. Notice to Authors”, 127-128.

Bostwick, Todd W., “Rock Art Mask Designs in the South Mountains, Arizona”, 1-12.

Bostwick, Todd W. and Dean, J. Claire, “An Experiment in Removing Spray Paint Graffiti from a Hohokam Rock Art Panel with Graffiti-B-Gone”, 103-112.

Hyder, William D., “The C. Mark Oliver Award: Recognizing Excellence in Rock Art Photography”, 113-114.

Malotki, Ekkehart, “The Rake: A Polysemous Motif in the Shamanistic Rock Art Iconography of the Palavayu Anthropomorphic Style, Northeast Arizona”, 13-28.

Martin, Clay, “The Rock Paintings of Hueco Tanks”, 115-126.

McCarthy, Daniel F., “Index to American Rock Art Research Association Publications”, 133-172.

Pace, M.F.N., Hyman, M., Rowe, M.W. and Southon, J.R., “Chemical Pretreatment on Plasma-Chemical Extraction for 14C Dating of Pecos River Genre Rock Paintings”, 95-102.

Sayther, Terry T., “Rock Art of Coahuila II. Twelve New Pecos Sites and the Electric Cross”, 77-84.

Steinbring, Jack, “The Rock Art of Wisconsin”, 49-63.

Tratebas, Alice M, “Evidence of Paleo-Indian and Archaic Hunting Techniques”, 65-75.

Waller, Steven J., “Spatial Correlation of Acoustics and Rock Art Exemplified in Horseshoe Canyon”, 85-94.

Woody, Alanah and McLane, Alvin R., “The Distribution of Vulviforms on White Tuff in Nevada”, 29-48.

AIRA Volume 25: Ridgecrest, Freers, Steven M., ed., 1999, 274 pgs. (In stock).

Bostwick, Todd W., “Hourglass Anthropomorph Petroglyphs in the South Mountains, Arizona”, 121-132.

Briot, Alain, “Little Petroglyph Canyon. A Portfolio of Photographs by Alain Briot”, 203-212.

Bury, Rick, “Too Many Shamans: Ethics and Politics of Rock Art Interpretation”, 149-154.

Christensen, Don D., Dickey Jerry and Lee, David, “Regional Variation in Rock Art Styles in the Southern Great Basin: A View from the East Mojave”, 69-80.

Gilreath, Amy J., “The Archaeology and Petroglyphs of the Coso Rock Art Landmark”, 33-44.

Hedges, Ken, “Notes on Basic Methods of Recording Rock Art: Philosophies and Procedures”, 191-202.

Lever, Janet, “Rock Art at the Source”, 213-222.

Loendorf, Lawrence, “Dinwoody Tradition Petroglyphs of Northwest Wyoming and Their Relationship to Coso Mountain Petroglyphs of Eastern California”, 45-55.

Malotki, Ekkehart, “The Use of Hallucinogenic Plants by the Archaic-Basketmaker Rock Art Creators of the Palavayu, Northeast Arizona: The Case for Datura”, 101-120.

Mark, Robert and Billo, Evelyn, “A Stitch in Time: Digital Panoramas and Mosaics”, 155-168.

McCarthy, Daniel F., “Index. American Rock Art Research Association Publications”, 237-274.

McNeil, Lynda D., “The Indian Bear Dance: Related Myths and Bear Glyphs”, 133-139.

Mich, Kerri J. and Fletcher, Milford R., “The Resurvey of Petroglyph National Monument: A New Approach to an Old Problem”, 169-178.

Monteleone, Sue Ann and Woody, Alanah, “Changing Light in the Cosos”, 57-68.

Ritter, Dale W., “Cultural Contact Rock Art Records in North America”, 223-236.

Ritter, Eric W., “Boundary, Style and Function: Extrapolations from Keno, Oregon Petroglyphs”, 81-100.

Sayther, Terry and Stuart, Deborah, “Rock Art of Northeastern Mexico: Petroglyphs of Coahuila and Nuevo Leon”, 141-148.

Waller, Steven J., Lubman, David and Kiser, Brenda, “Digital Acoustic Recording Techniques Applied to Rock Art Sites”, 179-190.

Whitley, David S., Simon Joseph M. and Dorn, Ronald I., “The Vision Quest in the Coso Range”, 1-31.

International Rock Art Congress (IRAC) Proceedings Vol. 1, Ripon, Whitehead, Peggy, ed. and Lowendorf, Lawrence, ed., 2000 , 181 pgs. (In stock)

Albagli de Almeida, Guilherme, "Remarks on Rock Art in the State of Bahai, Brazil" , 1-6.

Berrier, Margaret K., "Proposed Documentation and Storage of Data Related to Acoustical Phenomena at Rock Art Sites", 7-18.

Buchner, A.P., Hathout, S. and Russell, B., "Digital Enhancement of a Prehistoric Rock Painting from Hazlet, Saskatchewan", 19-24.

Callahan, Kevin, L., "Minnesota's Red Rock and Other Sacred Boulders of the Upper Midwest", 25-32.

Christie, Jessica J., "Inca Rock Sculpture in the Sacred and Political Landscape", 33-38.

Clouse, Robert Alan, "Sustainability: Towards a Comprehensive Management Plan for Rock Art Sites", 39-45.

Gillette, Donna, Billo, Evelyn and Mark, Robert, "From Gang Hangout to Educational Resource - Reclaiming a Cultural Treasure", 47-52.

Gronemann, Barbara J., "Research and Recording of Relocated Rock Art", 53-60.

Khan, Majeed, " Human Figures in the Rock Art of Saudi Arabia", 61-66.

Kolber, Jane, "Variations of Human Figures Throug Time and Space at Baird's Chevelon Steps", 67-74.

Murray, Wm. Breen, "Rock Art Sites of Northeast Mexico: Recent Explorations", 75-80.

Quijada, Cesar A. and Kolber, Jane, "The Rock Art of Cantera, Sonora, Mexico", 81-92.

Sayther, Terry T., "Rock Art in Perpetuity: One Man's Journey from Paper and Silver to Digital Image and CD", 93-96.

Stanley, Lori A., "Recent Developments in Iowa Rock Art Research", 97-104.

Sundstrom, Linea, "Rock Art Studies and the Direct Ethnographic Approach: Cas Studies from the Black Hills Country", 105-114.

Thiessen, Thomas D. and Bailey, Charles R., "The Pipestone Petroglyphs", 115-126.

Whitley, David S., "Use and Abuse of Ethnohistory in the Far West", 127-154.

Whittaker, John C., Koeman, Sarah and Taylor, Rachel, "Some Experiments in Petroglyphs Technology", 155-168.

Woody, Alanah, "Linking Past and Place: The Construction and Maintenance of Tradition", 169-178.

AIRA Volume 26, International Rock Art Congress (IRAC) Proceedings Vol. 2, Ripon, Whitehead, Peggy, Whitehead, William, Loendorf, Lawrence, eds. and Murray, William Breen, Spanish ed., 2002, 245 pgs. (In stock)

Aguilar Torres, Newman, “Pictografias de la Laguna de los Condores: Leymebamba - Peru”, 231-245.

Arca, Andrea, “Walking on the Rock Art Paths”, 63-70.

Brunod, Giseppe, Ferreri, Walter and Ragazzi, Gaudenzio, “The Camunian Rose of Carpene, Sellero (Valcamonica, Italy)”, 155-158.

Clarkson, Persis B., “Contextual Archaeological Approaches to Geoglyphs in Northern Chile: Extending the Theoretical Landscape”, 191-198.

Coffman, Ralph, “Rock Art and Early Cultural Diversity in Xingiang, China”, 87-102.

Comba, Enrico, “Rock Art, Museums, and the Construction of Cultural Memory”, 55-58.

Consens, Mario, “Vikings and Rock Art in Paraguay: Ethno-Anthropological Discrepancies”, 209-214.

Consens, Mario, Bello, Anna Maria and Rodriguez, Graciela, “Discourses around Exhibitions: Anthropological Analysis of Experiences in Rock Art Diffusion”, 49-54.

Devlet, Ekaterina, “Some Anthropomorphic and Ornithomorphic Images: The American-Asian Parallels”, 103-112.

Diethelm-Loch, Inge and Diethelm-Loch, Heinz, “Teaching Rock Art in Switzerland: A Country without Major Rock Art Sites”, 159-160.

Dolgovessova, Elena, “The Ritual Erotic Plots on the Rock Images of Southern Siberia”, 113-118.

Garcia, Linda Clara and Ramundo, Paola Silvia, “The are Going over our Heads! “Nos Pasan por Encima!” “, 199-208.

Gili, Maria Laura, “Los Signos Rupestres del Cerro Intihuasi. Cordoba. Sur de la Sierra de Comechingones. Argentina”, 175-182.

Grove, Margaret, “The Dancing Figures of Arnhem Land” in, 119-134.

Gutierrez, Manuel, “El Papel de la Educacion en la Conservacion del Arte Parietal un Ejemplo Interesante: El Caso de Angola”, 77-86.

Harper, Kevin and Alger, Ann, “Interpreting the Past and Looking to the Future: Rock Art Education at the Deer Valley Rock Art Center”, 45-48.

Hayashi, Hiroaki, “Rock Art Education in Japan”, 59-62.

Hill, Sharon, “Paleolithic Engravings from La Marche: Discovering New Images and Meaning”, 141-146.

Hows, Mark E.P., “Hill Figures of the U.K. - An Overview”, 161-174.

Ibarra Asencios, Bebel and Chirinos Portocarrero, Ricardo, “El Arte Rupestre en la Sierra Norte del Peru: Petroglifos de Caullumachay Provincia de Huari - Ancash, Peru”, 215-220.

Kunne, Martin, “Petroglyphs in the General Valley, Costa Rica. Problems in their Interpretation”, 135-140.

Marangou, Christina, “Rock-Art and Landscape in Myrina, Island of Lemnos, Greece”, 147-154.

Marcello, Nadia and Romero, Paola, “A School at the Museum”, 41-44.

Martin, F. Ellen, “Rock Art and Public Education in the Southwestern United States”, 71-76.

Oosterbeek, Luiz and Cruz, Ana R., “Rock Art and Archaeology Education in Portugal”, 33-40.

Perales Munguia, Manuel F., “Las Pictografias de Cori - Vinchos: Avances en las Investigaciones del Arte Rupestre en la Sub-Cuenca del Rio Pachacayo, Sierra Central del Peru”, 221-230.

Rocchietti, Anna Marie, “Arte Rupestre en la Argentina: Una Nueva Sintesisa”, 183-190.

Schaleben, Will, “Uses of Video - Rock ARt Research, Education, and Preservation”, 21-26.

Seglie, Dario, “Save Rock Art”, 27-32.

Urban, Sharon F., “Recording a Rock Art Site. What does that Mean?”, 1-10.

Waller, Steven J., “Rock Art Acoustics in the Past, Present and Future”, 11-20.

AIRA Volume 27: Phoenix, Freers, Steven M. and Woody, Alanah, eds., 2001, 336 pgs. (In stock)

Ambruster, Carol and Hull, Tony, “Chaco Navajo Ceremonial Rock Art and Anasazi Symbols”, 25-34.

Blackhorse, Taft, “Navajo Rock Art Discussion”, 73-75.

Brugge, David M., “A History of Navajo Rock Art Research”, 5-16.

Chamberlain, Von Del and Rogers, Hugh, “On the Trail of Dinetah Skywatchers: Patterned Dots and Scattered Pluses”, 49-58.

Christensen, Don D. and Dickey, Jerry, “The Grapevine Style of the Eastern Mojave of California and Nevada”, 185-200.

Clarkson, Persis B., “Art as Science, Science as Art: Aerial Photographic Applications in Rock Art Research”, 177-183.

Copeland, James Matthew, “Dinetah Ceremonial Rock Art and Cultural Affiliation in Northwest New Mexico”, 35-42.

David, Bruno, Armitage, Ruth Ann, Rowe, Marvin W. and Lawson, Ewan, “Landscapes in Transition? New Radiocarbon dates on Cave Drawings from the Mitchell-Palmer Limestone Belt (Northeastern Australia)”, 107-116.

Dorn, Ronald I., Stasack, Edward and Diane, and Clarkson, Persis, “Analyzing Petroglyphs and Geoglyphs with Four New Perspectives: Evaluating What's There and What's Not”, 77-96.

Freers, Steve, “The Hand Prints at CA-RIV-114: A Forensic and Anthropomorphic Study”, 319-332.

Gilpin, Dennis, “The Talking Rocks of Carson's Wall: Navajo History and Settlement as Revealed at a Multicomponent Rock Art Site in the Chinle Valley, Arizona”, 59-66.

Green, Eileen and Holmes, Elaine, “Kohta Circus: A Mesoamerican Connection”, 293-299.

Greer, Mavis and Greer, John, “Rock Art and Well Pad Construction: An Example of Conservation from Wyoming”, 161-168.Harry, Karen G., Billo, Evelyn and Mark, Robert “The Challenge of Long-Term Preservation: Managing Impacts to Rock Art at Hueco Tanks State Historical Park”, 151-159.

Hayden, Nancy Lee, “Yavapai Cosmology: Early Timekeepers in the Prescott Area, Arizona”, 253-260.

Hedges, Ken, “Traversing the Great Gray Middle Ground: An Examination of Shamanistic Interpretation of Rock Art”, 123-136.

Kelly, Roger and McCarthy, Daniel F., “Effects of Fire on Rock Art”, 169-176.

Kolber, Jane, “Introduction: Section Dedicated to Navajo Rock Art”, 1-3.

Kolber, Jane, “Recording, Protecting, and Studying Navajo Rock Art: A Project in Chaco Canyon”, 17-24.

Lever, Janet, “In Touch with the Art”, 313-318.

Malotki, Ekkehart, “The Serpent: A Shamanistic Motif in the Archaic/Basketmaker Rock Art Imagery of the Palavayu Anthropomorphic Style (PASTYLE), Arizona”, 237-252.

McLane, Alvin R. and Frock, Oyvind, “The Star Burst Solar Site, Pah Pah Range, Washoe County, Nevada”, 221-226.

McNeil, Lynda D., “Climbing Bear, Spirit Helper: Companion Petroglyphs at Shalabolino (Siberia) and Shavano Valley (Colorado, USA)”, 301-312.

Murray, Wm. Breen and Lazcano, Hector, “Atlatl Hunters of the Sierra Madre Oriental (Mexico)”, 261-267.

O'Connor, J.T., “A Cluster Analysis of Anthropomorphic Symbols in North American Rock Art”, 285-292.

Pope, Gregory A., “Weathering Impacts on Petroglyph Engravings and Rock Panels”, 97-105.

Quijada, Cesar A., “Rupestres Paintings in the “La Madera” Mountains (aka Wood Mountains), Sonora, Mexico”, 269-277.

Quinlan, Angus R. and Woody, Alanah, “Marking Time at Lagomarsino: An Exploration of the Competing Narratives of Rock Art Studies”, 211-220.

Riggs, E. Gene, “Atlatl Hunters of the Sierra Madre Oriental (Mexico)”, 279-284.

Rogers, Hugh C., “Tracking the Dinetah Hunter: Hunting Themes in Navajo Rock Art”, 43-48.

Smith, Courtney R. and Lee, David, “Pictographs of the Volcanic Tableland, Inyo and Mono Counties, California”, 201-210.

Sprague, Jack and Grasse, Gale, “Lizard Cave: A Possible Solar Marker at CA-KER-5525”, 227-235.

Weaver Jr., Donald E., Mark, Robert and Billo, Evelyn, “Inscription Point: Too Little Too Late?”, 137-150.

Yoder, Donna, “Livestock in Navajo Rock Art: A Reflection of Life”, 67-72.

AIRA Volume 28: Tucson, Woody, Alanah, ed., 2002, 206 pgs. (In stock)

Attorrese, Elisabetta and Fossatti, Angelo, “Rock 53 of Vite-Deria: New Elements for the Study of Degradation of Valcamonica Petroglyphs”, 103-110.

Hedges, Ken, “Rock Art Styles in Southern California”, 25-40.

Holmes, Elaine and Cramer, Pamela A., “Legends, Links and Likenesses: Mesoamerican Symbols in Southern Nevada Rock Art”, 181-192.

Hyder, William D. and Caloss, Dario, “Rock Art Styles on the Bishop Volcanic Tablelands”, 41-52.

King, Larry, “Conservation and Management Concerns in the Development of Rock Climbing Recreation Areas at Three Central Oregon Pictograph Sites”, 63-72.

Kolber, Jane and Yoder, Donna, “Great Anasazi Rock Art of Chaco Canyon: Possible and Probable Implications”, 169-179.

LaSarge, Diana R., “The Wallula Stone's Journey: A Cooperative Effort Between Tribal, City and Federal Governments”, 57-62.

Mack, Cheryl and King, Larry, “Parting the Waters - Re-Discovering the Goose Lake Petroglyphs”, 145-150.

Mark, Robert and Billo, Evelyn, “Application of Digital Image Enhancement in Rock Art Recording”, 121-128.

Merrell, Carolynne L., “Pictograph Perspectives, Photography, and Photo Electronic Imaging: More than Just a Pretty Picture”, 73-81.

Murray, William Breen, “Rock Art Studies in China”, 139-144.

O'Connor, J.T., “The Nampaweap Site Petroglyphs - Stars, Sex and Pinon Nuts?”, 193-206.

Pearce, David, “Changing Men, Changing Eland: Sequences in the Rock Paintings of Maclear District, Eastern Cape, South Africa”, 129-138.

Poetschat, George, Keyser, James D. and Fifield, Terence E., “Pictograph Cave in Southeast Alaska: Expanding our Cultural Understanding of Rock Art”, 83-93.

Ritter, Eric W., "The Rationalist Scientific Method in Rock Art Studies: The Serendipity Shelter,

Nevada, Example", 1-24.

Rogers, Alexander K. and Shepherd, Carolyn A., “A Site-Monitoring Partnership at Little Petroglyph Canyon, Coso Range, California”, 95-102.

Saville, Dara, “Kachina Iconography of Piedras Marcadas Canyon, Petroglyph National Monument”, 151-159.

Steelman, Karen L., Rowe, Marvin W., Guillemette, Renald N., Merrell, Carolynne L. and Hill, Richard D., “Little Lost River Cave, Idaho: Electron Probe Microanalysis of a Black Deposit Associated with Pictorgraphs”, 111-120.

Waller, Steven J., “Sounds of the Spirit World: Auditory Perceptions of Depth at Rock Art Sites”, 53-56.

Yoder, Donna and Kolber, Jane, “The Anasazi Rock Art of Chaco Canyon: A Preliminary Report of Findings”, 161-168.

AIRA Volume 29: DuBois, Woody, Alanah, ed. and O'Connor, Joseph T., ed., 2003, 160 pgs. (In stock)

Culley, Elisabeth V., “Examining Metaphorical Reasoning in Rock Art Production: Conceptualizations of Self in Coso Range Imagery”, 69-82.

Dandridge, Debra E. and Meen, James K., “The Degradation of Rock Art by Lichen Processes”, 43-52.

Gillette, Donna and Saltzman, Teresa Miller, “So What's a PCN?”, 105-109.

Lee, David M. and Smith, Courtney R., “Variation, Distribution and Context of Anthropomorphic and Zoomorphic Elements in the Rock Art Record of the Volcanic Tableland”, 53-68.

Loendorf, Lawrence L. and Olson, Linda, “The Tolar Petroglyph Site”, 1-10.

Malotki, Ekkehart, “Liminal Animals in the Archaic / Basketmaker II Rock Art Iconography of the Palavayu Anthropomorphic Style (PASTYLE), Arizona”, 139-154.

Mccall, Grant S., “No Rest for the Foragers? Mobility and Resource Acquisition in Hunter - Gatherer Rock Art”, 121-128.

Merrell, Carolynne L., “Buffalo Eddy: A Confluence of Influence as Seen Through its Petroglyphs and Pictographs”, 21-31.

Mitchell, Diana, “Comments, Diana Mitchell, Fremont County Historic Preservation”, 139-154.

Phillips, Ann, “Pecked Stone Prayers for Rain and Warmth: Sand Island Petroglyph Panel, Southeastern Utah”, 129-138.

Poetschat, George, Keyser, James D., Tandberg, Betty, Hiczun, Helen and McCoy, Pat, “The Beaver Bowl: A Shaman's Petroglyphs in the Northwest Coast Art Tradition”, 33-42.

Steinbring, Jack, Behm, Jeffrey and Bender, Herman H., “Petroforms in the North American Mid-Continent: A Neglected Phenomenon”, 111-120.

Taylor, Michael W. and Keyser, James D., “The Columbia Plateau Scratched Style: A Preliminary Interpretation”, 11-20.

Whitley, David S., “What is Hedges Arguing About?”, 83-104.

AIRA Volume 30: San Bernadino, O'Conner, Joseph T., ed., 2004, 167 pgs. (In stock)

Allen, Mary, “Comments on: The Esplanade Style: A Reappraisal of Polychrome Rock Art in the Grand Canyon Region, Arizona, by Don Christensen and Jerry Dickey”, 86.

Childress, Jane P., “Rock Art and Rock Crawling in Central Arizona”, 103-110.

Christensen, Don and Dickey, Jerry, “The Esplanade Style: A Reappraisal of Polychrome Rock Art in the Grand Canyon Region, Arizona”, 69-85.

Christensen, Don and Dickey, Jerry, “A Reply to Comments by Allen: The Esplanade Style: A Reappraisal of Polychrome Rock Art in the Grand Canyon Region, Arizona”, 87-88.

Dickey, Jerry and Christensen, Don, “A Functional Analysis of the Esplanade Style”, 89-102.

Garfinkel, Alan P. and Pringle, J. Kenneth, “Dating the Rock Drawings of the Coso Range: Projectile Point Petroglyphs”, 1-14.

Golio, JJ and Golio, Mike, “Hohokam Bola Petroglyphs in the South Mountains of Phoenix”, 111-118.

Holmes, Elaine, “26CK6580: A Possible Basketmaker Rock Art Site in Southern Nevada”, 15-18.

McCall, Grant S., “Politics and Rock Art: Examining the Utility of Social Structure and Institutions for Explaining Patterns of Rock Art Production”, 149-156.

Morales, Jr., Reinaldo and Cunha, Claudia, “Chapada Diamantina Rock Art: New Evidence of Nordeste Tradition Variations in Bahia, Brazil”, 137-148.

Murray, William Breen, “Marking Places: Graffiti, Inscriptions, and Rock Art in Northeast Mexico (and Elsewhere)”, 129-136.

Ritter, Eric W., “Paradigms and Petroglyphs of the Dry Lakes Plateau, Mono County, California”, 19-42.

Robinson, David W., “Tierra Incognita: Rock Art, Landscape Biography, and Archaeological Blind Spots - A Case Study from Interior California”, 43-55.

Rogers, Alexander K. and Rogers, Frances G., “Rock Art Analysis of the Terese Site, El Paso Mountains, California”, 57-67.

Steelman, Karen L., Childress, Jane P., Kolber, Jane, Rowe, Marvin W. and Guilderson, Tom, “San Pedro Eye of the Cave: Painting of the Past Dated for the Present”, 119-128.

Waller, Steven J., “Psychoacoustic Implications of Prehistoric Art Inferred from Sound Measurements and Echo Myths”, 157-164.